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About Laura

  • Laura Axelrod is a writer and book reviewer. Her plays have been performed in California, New York and Europe.

    Her book reviews appear regularly in the Birmingham News and on the Newhouse News Service wire.

    Read more about Laura Axelrod.

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May 16, 2009

On Farrah Fawcett, cancer and Elizabeth Edwards

I'm disappointed in the media's reaction to last night's television special, "Farrah's Story." The worst thus far has been Artsbeat, a New York Times blog which refers to it as "awful... exploitative." 


What would have made it better? According to the Times:

"Nobody mentions anal pap smears, which researchers increasingly cite as a way to screen for cell changes that lead to anal cancer. The film also doesn’t make clear that in many cases, anal cancer can be treated and cured. (The American Cancer Society estimates that there will be 5,290 new cases of anal cancer in 2009 and 710 deaths.)"

Fabulous. People who are still employed in our faltering economy  and those who can afford health insurance probably get anal pap smears regularly.

Oh wait... Doctor didn't offer it? Insurance doesn't cover it? Oh... Well, I'm sure those who still have jobs at the New York Times are very lucky and get those anal pap smears all the time.

Continue reading "On Farrah Fawcett, cancer and Elizabeth Edwards" »

April 27, 2009

A quick glimpse at the future of digital books

Jacket Copy, a blog by the LA Times, has a fabulous interview with Johnny Temple from Akashic Books.

Temple tells interviewer George Ducker: "I think in five years a lot of people who today might have no interest in reading a book on a screen will have turned the corner. Print books will not disappear, but I think that the digital book sales are going to increase on a major level."

I agree. Some book-lovers get entirely too defensive about digital books, and that's unfortunate.  As writers seize the possibilities of this new form, digital books will move away from being viewed as "reading a book on a screen." I predict that in a few years, digital books will become a new medium.

But that's just my opinion...

March 25, 2009

Lead in children's books

Green eggs and ham in latin It might be in poor taste for me to mock a possible recall of all children's books published before 1985, but I just can't help myself.

Lead was often used in printer's ink until it was banned in 1986. Regulators are afraid that children will be harmed by the lead. The American Library Association estimates that testing one book for lead would cost $300. The Consumer Product Safety Commission is trying to figure out what to do.

In Albany, New York librarians estimate that there are 10,000 children's books on their shelves that would either need to be tested or destroyed. Throughout the country, millions of books would face a similar fate.

This is unbelievably appalling, and it leads me to ask the following questions.

If these books were so dangerous back in 1986, why have they waited to remove them?

If it's lead we're all worried about, shouldn't we also be testing the products we import? After all, it seems that certain countries spike just about everything with poisonous substances and then ship them off to American to be consumed.

And finally, is it better to raise a well-read but possibly lead-exposed child, or a dummy who undoubtedly get his or her lead exposure elsewhere?

Having been born in the 70s, I survived so-called horrible things. I was a latch-key kid who frequently ate Elmer's Glue, dog food, Crisco, and a host of other inappropriate substances. I also liked the smell of gasoline and sniffed heartily while my Dad filled the tank. Now I find out that I spent my childhood reading lead-inked books. I haven't died yet, and I'm assuming if you're reading this, you haven't either.

My generation has a pathological desire to "do it differently" from our parents, who generally speaking, neglected us. As a result, we try to protect kids from every scratch, scrape and exposure to harm that comes their way. It's sick, and it makes me curious how the next generation will try to "do it differently."

In the meantime, let's try testing our food. I have a feeling that the chemicals I ingested as a kid are nowhere near as dangerous as the processed goods that pass for food at the grocery store. But that's just my opinion.

March 17, 2009

Plays Unseen

Charles Isherwood reviews "The Good Negro" in today's New York Times. It's an historical drama about the Civil Rights Movement.
 
"Ms. Wilson peels back the righteous sheen to reveal a more complicated truth in “The Good Negro,” which focuses on the inner and outer trials faced by Lawrence, who is clearly based on the Rev. Dr. Martin Luther King Jr. Set in 1962 in Birmingham, Ala., the play considers a pivotal passage in the movement and explores the tensions that threatened to rip apart the tight-knit group of men in the eye of the storm."
 
Currently playing at the Public Theater in New York. Looks like a good play. Gee, it sure would be nice to see a play set in Birmingham actually play in Birmingham. But that's just my opinion.

August 24, 2008

Guesting Gone Bad

I'm new to doing the publicity thing. I don't mind being published, but being interviewed is an entirely different matter. It makes me nervous. A friend of mine told me on Friday that whenever he does interviews, he's afraid something horrible will come out of his mouth. Maybe he'll accidently accuse someone of doing something unforgivable.

I can relate to that fear, especially since my beliefs can't readily be categorized. They require some kind of explanation. If I have to talk in sound bytes, then it's not worth my time to talk at all.

So when I was invited to be on a radio talk show, I hesitated. I'm a huge fan of talk radio. I grew up with it, and I know that there are a myriad of different types of talk shows out there. Some consist of long-form interviews; others are all about attack and arguing.

I researched the host and the show before accepting the invitation. I never heard of the show since it wasn't based in the U.S. The radio station was highly rated in its area, and played some American radio shows. I listened to a clip of an interview the host conducted and decided to do it. As Jethro said, "It's by phone and if you don't like it, you can hang up."

The subject of the show was 1968, of course. The host emailed me to mention that people from "Recreate 68" would also be taking part. This was a red flag as far as I was concerned. Since Project 1968 was built on the idea that our country hadn't learned the lessons from that era, I was theoretically opposed to recreating the same mistakes. I responded to the host's email, telling him that I would be on his show, but I was not affiliated in any way, shape or form with that group. He said he understood and that the group would be on after my appearance.

As time passed, I started to get really nervous about the show. I thought that maybe it was because I was just nervous in general. There really wasn't anything to be nervous about, people told me. Maybe it was just because I was new to doing publicity. But something inside didn't feel right.

On the day of the show, I sat in a conference room surrounded by notes, the Walker Report, Life Magazine from August 23, 1968 and 2 pictures of Christopher - for support.

I honestly hoped that all of this nervousness was based on fear rather than intuition. My interview with the Weekly had been very pleasant. The interviewer was probing and I thoroughly enjoyed the banter.

The show producer phoned and told me to hold. I heard commercials over the phone and the host came on to say hello. He told me that we'd be on in a moment after a "big production" sound montage of 1968. Sure enough, I heard King and Kennedy's voice, along with other recognizable sounds. And then we were live.

He introduced "the panel." Two college professors and me. I had no idea I would be a part of a panel.

(Jethro listens to Rush Limbaugh, which every now and then I overhear when I'm not in another part of the house. A while back, Rush told his audience how some talk show hosts ambush their guests. They set you up by putting you on a panel without warning you or opening the segment up by attacking you. This immediately went through my mind when I heard him introduce the other guests.)

So his first question was to me: What intrigues you about 1968? I explained that it was a period of time when people were experimenting with beliefs and attempting to live by them. His response: So people aren't doing that now?

Before I could respond, he brought on a college professor who immediately told everyone that he disagreed with me. (Huh? I didn't even get a chance to explain what the hell I meant.) He also told the host that 18-year-olds were more optimistic than past generations, etc.

So the basic gist of the agenda was to assure the audience that the public is secure, that we have it far better than the Boomers and the younger generation will save us.

Oh, and I was supposed to be the "Liberal Whipping Post" because the host thought I was liberal. The problem is, I'm not. I'm not a conservative either. As I told the host, "I don't believe in the 2-party system. America is a diverse country. We should have more than 2 viable parties to choose from."

When I said that, the host repeated it slowly and then I didn't get a chance to talk again for a while after that. Evidently, I wasn't the guest the host thought he was getting.

(It's interesting to note here how many people outside of theater think that all theater people are knee-jerk liberals. Since, unfortunately, people have hung their hats on my theater stuff, they automatically think I'm a liberal - and a bit of a flake. I'm sorry theater friends. It's a terrible stereotype I've run into consistently. It's not pretty, and yes, it pisses me off too.)

During another commercial break, the host asks if I will stay on longer. I shrug and say sure, thinking that maybe I'll actually get a chance to say something meaningful. But as the show progresses, it occurs to me that the Recreate 68 people probably ditched this dude, knowing that it would be a complete waste of time.

So I'm asked questions by the host like: Would you be a protester in 1968? It's a fair question, so I tell him that having been both a protester and a campaign worker, I'd work for Gene McCarthy. He sounds excited for a moment, and then cuts to commercial. There's no follow-up to the comment.

A few callers phone in and one sounds intelligent. She tells us that her daughters are teenagers and seem optimistic about the world. I think back to when I was younger and optimistic about the world. Hell, I worked on the Jerry Brown for President campaign. That's nothing if not optimistic. I tell the panel that it's fabulous that young people are optimistic, but my generation isn't so positive. Besides, there's an endless war, bank failures and Russia. Maybe we should take a look at why the Boomers didn't pass their optimism down to their kids.

Anyway, I'm eventually dismissed early from the show. Which suits me fine since I've been looking at the clock wondering how many commercial breaks you can legally fit into an hour in this particular country.

Jethro, who listened to it live, says that the host's final question to the panel was whether kids today would rather live in 2008 or 1968. Of course, they answered 2008. Upon finding that out, I just shook my head. Any idiot would say 2008. After all, an 18-year old male in 1968 would've probably been drafted. Sheesh.

And so, I spent the rest of my time trying to figure out what the hell all that was about. Here are a few thoughts:

1) Media can be summed up in two parts: information and reaction. I prefer to traffic in information and this show clearly was into reaction. No real information was given. It was all uninformed opinion. No one on the panel was allowed to bring up an interesting point. It was controlled to bolster the host's agenda.

2) I supposed to be the "liberal scapegoat." As an interview with me earlier in the week noted, I'm a "self-styled political agnostic." Clearly, someone didn't do such a good job with their show prep.

3) How many shows do I listen to that offer no real information? I used to listen to attack shows like this. Maybe what I went through was karmic in nature. But I also realize that I don't listen to shows like this anymore. They offer absolutely nothing. There's no real information or conversation.

4) I seriously doubt that guests on shows like this actually believe what they're saying. Case in point: The host hung up on a caller who talked about corporate control of the media. He turned to me and asked if I agreed with the caller. Since I constantly stream audio over the net, I said that I didn't agree with him. The internet offers plenty of competition for media these days. As I said it, I remember thinking how lucky I was that I did agree with the host. Otherwise, I would've gotten a major verbal lashing.

5) Cute comebacks and one-liners aren't a replacement for meaningful conversation. I think the tide is turning against shows like this. It may take a while, but as the world situations become more serious, people will want substance.

Finally, these types of shows aren't in my D.N.A. If you enjoy them, then more power to you. I suppose if I was a lawyer who loved debates, then I'd get off on them. I guess I just don't have it in me to wear a black cocktail dress at 8 in the morning so I can call a bunch of grieving widows "harpies."

Knowing what I know now, I can't take any of those people seriously. And I don't think you should either. But that's just my opinion.

April 17, 2008

One Paradigm Shift Needed

Why I think the world is going to hell in a handbasket, but that's just my opinion.

March 17, 2008

Tarantulas

934I know I'm not the only person in the world who has a difficult time watching Charles Manson on T.V. According to recent reports, it looks like they've found grave sites that could be linked to his cult.

I've seen documentaries on Manson. I've seen Geraldo interview him. Still, I can't grasp the fascination. I mean, I could accept it from teenage boys. Maybe.

It seems though that along with fascination, people also tend to laugh at him. Like he's a tarantula trapped in glass. He's fine... now.

It makes me wonder if people think he's truly evil, or just insane. There is a difference, but that's just my opinion.

August 07, 2007

Maturity

On Saturday night, Jethro and I went to see Mikhail Baryshnikov perform with Hell's Kitchen Dance at Birmingham's Wright Center. The first performance was called "Years Later." It featured Baryshnikov dancing live with a film of his younger self behind him. His movements served as comments to the film. At one point, he held his lower back, as if to say that he was too old for this stuff. It was funny and also poignant. The audience was supposed to assume that he could no longer perform the way he used to, and perhaps that wasn't such a bad thing.

Following two other performances, Baryshnikov once again took the stage. This time, he danced with the company. The theme of the performance was the individual versus community, young versus old. There was a deep sadness to this last dance. Movements reflected a turning away, as if Baryshnikov was daring people to say goodbye. It was moving.

In interviews, he's stated that he felt that it was time to pass the torch to the next generation. It appears that this tour was meant to do exactly that.


Considering that Baryshnikov is almost 60 now, it's amazing that he's continued being a relevant force in dance. Often people in the arts make a big splash in their younger years. Contributions dribble as they get older until, finally, they grow completely silent. Why is that? Do artists exhaust their message? Does our society demean the contributions of the not-so-youthful?

I'm not sure, but I do know that older artists have wisdom and maturity. So much has been written about youth, hopes and "coming-of-age." Maturity is vastly underrated.

But that's just my opinion.

May 10, 2007

Debt!

Jethro and I are going to see Dave Ramsey tonight. He's a "get rid of debt" guru. I'm the one who is most excited about our adventure, since Jethro doesn't believe in credit cards or the like.

When I lived in NYC, I bought the party line that going into debt for my theater career was a sign that I had confidence. Yes, I even read a how-to book on theater that encouraged people to go into debt.

So I did, and what I found is this: It doesn't help. It tied me to jobs I didn't like, preventing me from doing the things I wanted to do. Plus, I had less time to write in the long run.

Since leaving NYC, I've seen the folly of debt. It doesn't do any good to owe anything to anyone if you can help it.

Throughout history, a number of writers have dealt with debt. They either haven't made enough money from writing or they extended themselves a little too far. Edmund Wilson comes to my mind, only because he's a southern writer who bounced in and out of NYC during a certain point in his life.

The good part about dealing with debt is that I value my writing more. It has made me go out and search for paying writing jobs. I've had to take my writing more seriously as a result. Otherwise, I would spend all day at home, writing stories and plays that only I care about.

Maybe at some point I'll go back to that. Meanwhile, I am a firm believer that the less debt you have, the better for your writing. But that's just my opinion...

April 26, 2007

Book Critics and the Net

And you thought theater had problems... Since I straddle between books and theater on this blog, I think it's only right to acknowledge the similarities.

I, too, am a member of the National Book Critic Circle. When I got the email, I was ready to jump on board. I'm still supportive, but what oh what are we going to do about this internet thing?

But I still think that the Atlanta Journal-Constitution should keep their book section the same. Don't cut it, don't slash it, just print it. As a major newspaper in the region, they have a responsibility to the Southeast.

But that's just my opinion...

April 06, 2007

Cracking without Breaking

Of course, you can't get a college degree... But if you'd like to study for life enrichment, these colleges have open courseware: Keio, Kyoto, MIT, John Hopkins, Osaka, Toyko, Utah State, Waseda, Notre Dame, and Tufts.

By the way, have you ever been to a chiropractor? I had my first experience with one this week. Not sure why my back pain started... Maybe it was because I got hit by a car in 2005, stress, who the hell knows why.

For the most part, its been a good experience. Except that I think its mighty odd that bones can crack that loud without breaking. Seems sort of... unnatural. But that's just my opinion.

March 29, 2007

Life in 1963

Gregg_2
“Even the young lady who isn’t really interested in a career – only in the title of “Mrs.” – finds shorthand and secretarial training valuable. Thousands of young women continue to work even after they are married – to help earn money for a new home, to save for vacation travel, or to help meet unexpected expenses.”

--A quote from Gregg Shorthand, copyright 1963, page 15.


As much as I like the culture, fashion and art from the mid 1900s, if I actually lived back then I’m certain I would’ve killed myself. But that's just my opinion...

March 06, 2007

Why I Read Blogs

My reasons for reading blogs have changed. A long time ago, I enjoyed reading about life experiences. My blogroll included the journals of soldiers, teachers, drunk college students. I was fascinated with the story of life, as told by a variety of people.

Then I became interested in discussion. Those blogs invited argument, and I participated with gusto. I discovered a great deal about myself during that time. It was fun to defend a position. I also learned that I didn’t have to agree with everyone, and in turn, people didn’t always have to agree with me.

Nowadays, the blogs I read are written by people who are passionate. They love the focus of their blogs and want to share their love with others.

Through them, I learn. They have broadened my horizons when it comes to history, art, music, writing, and books. Plus, they’re comfortable with themselves. They don’t have to know everything, and occasionally, they slip in a personal detail about themselves. It lets their readers know that there’s an actual human behind the blog.

In reading blogs I’m looking to learn and discover. I also know what I don’t want.

    I stopped reading blogs by people who are interested in creating fan clubs. I’m happy for your success, but it isn’t all that interesting. But I do wish you the best of luck with it all.

    I’m highly suspicious of people who are too opinionated. If every entry is an opinion, especially a negative one, I start to feel tired. Having a reaction to everything has got to be exhausting. Besides, I can’t take someone seriously who has an opinion about everything.

    I don’t like blogs written by people who are phony. By adopting a certain tone, you can manipulate readers for self-serving purposes. It always amazes me when the audience of these bloggers react like trained puppies.


What else has changed? Well, my comments have dwindled. I don’t necessarily think that I should comment each time I have a strong reaction. It’s best to be quiet, especially if commenting is pointless. Am I going to change someone’s mind? Am I going to contribute to the discussion, or am I whistling in the dark?

The changes I’ve listed coincide with changes I’ve made in my daily life. Since moving to Alabama, I’ve been more aware of making positive choices. It’s been a slow process, but it’s an infinitely rewarding one… But that’s just my opinion.

January 18, 2007

Bastard Poem #001

A theater company that doesn't include writers
and doesn't perform new plays
is leeching off the work and courage
of others.

A strong statement
But that's just my opinion.

January 15, 2007

Racism and Conformity

I’ve been combing the Internet, looking for a different perspective on Martin Luther King, Jr. It’s been tough to find. I, too, could write self-congratulatory, pat-myself-on-the-back-because-I’m-not-a-racist tripe, but what’s the point when you can find it elsewhere.

It’s hard to take all the sanctimoniousness seriously. I’m willing to bet that there are many, many people out there who wouldn’t consider themselves racists, and yet, seem to hang out with people who are exactly like them. You know, they think the same way, believe the same things, and perhaps, are even the same color as you are. If you’re a liberal, just how many conservative friends do you have? And if you’re an atheist or agnostic, are you giving people shit because of their beliefs?

I recently read Rebecca Walker’s book, Black, White and Jewish – a book about her balancing act between cultures and coasts. The book acts as a prism. Each incident written is a reflection on the rigid parameters of racism. When I finished the book, I was more convinced than ever that when you take the race out of racism, you are left with conformity – the demand that everyone believe and behave the same way.

Think about it next time you’re going to flame someone who disagrees with you. But that's just my opinion...

BTW, if you’re looking for an interesting perspective on MLK’s “I Have a Dream” speech, look no further than Dave Dellinger’s book, From Yale to Jail. He describes the final months of King’s life, with death threats against both himself and King at one protest. He also describes in detail how King worked up to the “I Have a Dream” speech, practicing the phrasing in other speeches. With the exception of the ending, Dellinger found the beginning and the middle of the speech to be somewhat boring.

November 10, 2006

Form over Content

Ever notice that people with little to say often pick fancy ways to say it?

Not an indictment... That's just my opinion.

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